Archive for the 'Creativity Coaching' Category



Are you writing about things that matter? 5 questions to ask yourself

The first time I read my writing in front of an audience–not just my class, but a venue full of strangers–I was 26 years old and I was terrified. I was in my first graduate course of my first semester at Columbia College Chicago, and it was required that all students read from their work at open mic readings sponsored by the department. Our professor said only this: If you’re not scared before the reading, then you haven’t picked the right material.

I was just starting my MFA studies, so I was confused. The right material? I was lucky I had any material. But after I read my work in public a few times, I began to understand. When I chose material that I felt was a “sure thing,” the audience response was…polite. When I chose material I felt uncertain about–maybe I had gone somewhere deep, taken a risk, hit a truth on the head–the audience response was immediate. Electric. People sat up straighter. Leaned in. The applause was genuine. People sought me out afterward, asked questions, shared their stories. That was the right material.

So how do you know whether you’re working on the right material, or merely skimming the surface? If you really want to know, ask yourself:

Are you scared? If you feel a tingle of fear, anger, resistance or any other strong emotion, you’re on the right track. Be brave. Go for it. You can do this.

Will someone be mad at you? Good. That means you’re not playing the people-pleaser, you’re digging into hard truths and reality. When I was 12 and going through my existentialist phase of writing, my mom used to wail, “Why can’t you ever write about happy things?” You can write happy stories about unicorns and rainbows. But if you want to write real, deep, authentic work…you have to take a chance that not everyone is going to love what you have to say.

Is it forbidden? Explore it creatively. Secrets and lies fester in the dark. Shine a light on those negative spots so we can see what you see.

Are you terrified you’ll fail? Clearly you have something at stake that’s worth exploring. Ask yourself what “failure” looks like. What’s the worst that can happen? Write it down. Read it. Now burn it and get to work. You have to be willing to make a mess if you want to get to the good stuff. Creativity is a messy business. Don’t be afraid to get your hands dirty.

Is the universe dropping hints? An old friend mentions a topic that you’ve been thinking about writing about. You see a newspaper article with a different angle on the same topic a few days later. Then you meet someone new who happens to be dealing with the same issue. If you find yourself toying with an idea and it keeps popping up all around you in unexpected places, your creative work is calling you.

If you find yourself distracted and avoiding your creative work, ask yourself: am I working on what really matters?

Writing process: How to get unstuck and have spanking clean toilets too

I have a book manuscript that I’ve dabbled with on and off since 2005. I recently cleared out my creative space and once again opened up the box with everything related to this project: a folder bulging with first drafts and revised drafts, research books, notes, email print-outs, three or four different outlines, story ideas, suggestions, schedules.

So many false starts, hopes, plans, dreams. All incomplete. Where to begin??? Like so many times before, I slapped the lid back on the box and shoved it back in its corner under my desk, out of sight but never out of mind.  My sense of failure was palpable.

Why can’t I finish this damn thing? Was it time to give it up? Had the moment to tell this story passed? I continued to berate myself as I threw in another load of laundry then headed upstairs to make dinner and clean the bathrooms, which is way more fun than feeling like a failure. I might not be able to finish this story, but by golly, my toilets will sparkle and I’ll make the best damn Hamburger Helper beef stroganoff ever!

The thing is, every time I return to this project, I get stuck right here. It didn’t help that I had some chapters in one computer file, others on a USB stick, still more on a disk, and multiple print-outs of copies and versions of drafts. I am organized in every aspect of my life, what the hell happened here? How would I know what was what? Where to start?

And then, shortly after the family was full of stroganoff, the toilets were sparkling, kids were in bed, and I was just about to overindulge in chocolate, I had an epiphany:

I could start over.

I sat up straight on the couch and put my chocolate down. Who said I have to try to put the pieces together from the way I saw this story five years ago? I always knew what the problem was: my story needed a skeleton to hang on, but every time I went back to the pieces, I was forcing the pieces to fit a structure that wasn’t working. Isn’t that the definition of insanity, doing the same thing over and over and expecting a different result every time?

Yep, I’ve been driving myself crazy. But just like that, I gave myself permission to try a new structure. It seemed so simple, but I guess I had been so focused on making the square peg fit the round hole, I didn’t think to look for a new peg.

So, I’m starting fresh. I’m actually pretty excited about it, because I feel like I have a new skeleton that can work. I will pull details and scenes from the 200+ pages I’ve already written when and where it makes sense. That might sound depressing to some who aren’t used to the writing process, but sometimes you have to write a lot to find out what you have to say and the best way to say it.

If you’re stuck, consider clearing out your creative work space to make room for new ideas. Spend time in your creative space. Look at your old drafts. Don’t force  yourself to solve any problems. Try not to berate yourself. Read. Think. Ponder. Simmer. Just show up every day, even if it’s only for a few minutes, and see what happens.

As for my book, I don’t know if this new insight will solve everything. I hope I will finish this damn thing once and for all. Mostly, I feel pretty good. I’m trying. I’m writing again.

10 rules of brainstorming: How to make it work for you

Whether you are trying to solve a problem, generate new ideas or clarify your thoughts, nothing works better than a good old-fashioned brainstorm session. Creative professionals use brainstorming to generate innovative ideas and creative approaches to market our clients’ products and solutions, as well as to solve problems they may have such as lack of brand awareness (“Company A? Never heard of ‘em.”) or damage control (“The last version of Widget A caught on fire. Widget B won’t.”)

But anyone can use brainstorming to develop strong creative ideas faster and more efficiently. Heck, I brainstorm at home with my kids! But it’s important to set some ground rules to make your brainstorming session productive:

1. Understand your team. See each person in the brainstorm as a unique, creative individual. A junior-level staff member may not have found his or her voice yet or feel comfortable expressing it–or expresses it too much. Another executive may not be comfortable in the nebulous land of ideas. When you understand where they are in the process, you can tailor the brainstorm session to better fit your team.

2. Have a plan. Brainstorming without a plan is like trying to build a skyscraper without a blueprint. It can be a detailed creative brief, a memo or an email articulating your objectives. Distribute the plan at least 24 hours prior to your brainstorming session so everyone has a chance to read it, digest it and start simmering on it. They’ll come to the brainstorming session prepared and hopefully ready to start bouncing ideas around.

3. Meet in a dedicated space. I’ve brainstormed in airports, pubs, on the phone, in my basement, in coffee shops–but not everyone is comfortable throwing out ideas at all, let alone in public spaces. A room with a door can lessen distractions and make your team feel safer to go out on the creative ledge.  

4. Set a time limit. An hour is plenty of time in my book, but a deadline adds necessary pressure to keep things moving. (Creative people, for example, can chat forever about ideas. At some point, we have to shut up and actually do the work instead of just talking about the work.) When the time is up, review the results and your objectives, give people time to regroup, then set up another brainstorm if necessary. 

5. Moderate. Designate a moderator who will keep the discussion on track. The moderator should also make sure everyone has a chance to participate, inviting quiet members to speak and asking chatty folks to hold up and let someone else talk for a while.

6. Keep it positive. Establish up front that there will be no criticism of ideas. Ban the words “no” and ”can’t.” Brainstorming is about generating ideas. The second you start ripping those ideas apart or saying no, people shut down. You will become the teacher in high school who shot down their dreams of being a creative in the first place. You don’t want to be the dream killer. You want to be the dream builder. Saying no kills the spirit of the brainstorm. 

Remember, you are working in the land of ideas and creativity where everything is subjective and there is no clear right or wrong way to go. Even if you know an idea is not quite right, find some aspect of it that is working–is it different from what competitors are doing? Does it explore an issue in a new way? This can lead the whole group down a new path of thinking.

7. Get silly, get inspired.  Brainstorming is about generating new ideas and ways of looking at things, so don’t be afraid to add some silliness or props that help get your creative juices flowing. That’s why a lot of creative folks keep interesting, fun things around their creative spaces. One art director I know keeps a collection of robots in his cubicle. A writer friend has puppets on her desk while another artist friends displays found objects from nature in her office.

I’ve sat in on very corporate brainstorm sessions that were like going to church–hushed tones, only senior level people get to speak and everyone else just sings their praises. This is not brainstorming, this is corporate bullshit. Remember: brainstorming = fun.

8. Write it all down. White board, chalk board, poster board, whatever you’ve got, write it all down. If things get off track or you get stuck, you can retrace the evolution of your ideas and regain your focus or see if anything fresh pops up.

9. The first idea is not always the best idea. If there’s one thing I’ve learned in 20 years of being in the creative business, it’s that the first idea is often the one that just barely scratches the surface. You have to dig deeper and give people time to unearth what’s below the surface. Often the first few ideas act as stepping stones to the idea that ends up being “The One.” It’s a team effort. It’s an evolution. Wait for it.

10. Be a kind voice of creative reason. I once had a very wise boss who always said, “Sometimes, we have to save them [clients, managers, fill in the blank] from themselves.” I agree–as long as you do it in a way that leaves everyone’s dignity intact and keeps the pipeline of ideas open so everyone feel like they are creative and actively contributing. That is the true spirit of brainstorming.

Please don’t feed the demons

Confession: I have a demon. I was reminded of it as I watched a new E! series, “What’s Eating You: True stories about food, fear and obsession.”  The first episode features two 20-something girls suffering from anorexia. The cameras followed them through their lives, therapy sessions, as well as  interactions at home and work.

Warning: Watching a show like this is not like watching the old “After School Specials“ some may remember from the 70′s and 80′s. It’s less scripted, more raw and real. Viewer discretion is advised.

It was devastating to watch one girl being told she “didn’t have to come to work anymore” as a dancer because she had failed to get the help she needed–the breaking point was when a customer complained that she was “disturbing” to look at. Her body fat was a mere 8%–normal for her age is 18-25%.

As the second girl sat stone-faced in a therapy session, refusing to come out from behind her Hoover dam holding back gallons of raw emotion, my throat closed up and I thought, I know exactly what that feels like. I flashed back to adolescence and the late teens/early 20′s, that time when everyone says you have your whole life ahead of you, only it didn’t feel like it. Not one little bit.

We all have our personal demons.
In 1983, when I first faced mine, there were no words for my demon, let alone reality TV shows about it. Only a handful of people outside of my family knew. People didn’t speak openly about their demons then. At least, not at my house. Even now, I can’t bring myself to tell you specifics.

While my demon was not anorexia, it was a coping mechanism that I used to relieve emotional pain, to escape from an overwhelming sense of powerlessness and deep sadness that made my bones ache. It was not acceptable to be anything less than happy or perfect growing up and I was really, really good at pretending for a very long time.

My family didn’t know what to do, so they did nothing. Therapy was not as common then as it is now, at least not in my Midwestern community. Our family prided ourselves on being stoic and self-reliant. No better “therapy” than pulling yourself up by your  bootstraps. Except…I’d lost my boots. 

When I saw my own pain from years ago reflected in the eyes and faces of these girls as they struggled with their “affliction,” I wondered how seeing a show like this could have helped me back then. How it could have helped a lot of people. While some may argue that programs like this could influence, say, a young girl to consider anorexia. I say the seeds of that demon were already there.

Demons thrive in darkness, pain and secrecy. Programs like this turn the lights on so demons can’t hide anymore. Watching others struggle, we understand more and judge less. We see their pain. Hopefully, we learn to spot the first signs of demons in our loved ones and in ourselves so we can fight them sooner, harder. Demons can’t thrive  in truth and light and love. Wish the same were true of cockroaches and mold.

Are you feeding the demon?
But it’s never too late. One therapist on the show pointed out to a mother how she had inadvertently passed down a pattern of self-criticism to her daughters. She was feeding the demon and she didn’t even know it. It reminded me that I too must be vigilant. I must pay attention and listen closely to protect my children from…me. They will have demons of their own to contend with in life.

As for me, life did get better. It took time. I got help. I learned about boundaries and what I could control and what I couldn’t. Every challenge I survived taught me that there is light at the end of every tunnel. I grew up, I moved out. I remember my first night alone in my very own apartment. In the quiet, I could hear my heart healing.

If you’ve fought a demon and lived to tell about it, then you know what it’s like to claw your way back to the surface after being buried alive by raw emotion, dysfunction and fear, and to emerge–victorious, grateful–like the rescued miners in Chile, and say, I survived. It’s never easy, but demons can be tamed. They can be overcome.

Update (Oct. 18, 2010): Dan Savage’s It Gets Better Project popped up on my radar as a relevant link for those who are interested. While the videos are primarily to give hope to gay and lesbian youth that life does get better after adolescence, when bullying is often at is peak, it’s inspirational to hear the stories of others who have been through it and emerged on the other side, strong and happy.

How to use friends and family in your fiction without pissing them off

One of the most frequently asked questions students ask in my fiction writing classes is, “How do I write about my life–my friends and family–without pissing them off?” Let’s be honest, the usual fiction disclaimer, All characters are a figment of the author’s imagination, any resemblance to real people living or dead is blah blah blah, just doesn’t cut it.

Everything is food for our fiction, including people we know. The good news is, much of real life is fairly boring; fiction spices it up. So here are 6 things you must do if you want to use people around you for, ahem, inspiration:

1. Ditch the guilt. You have to be willing to take risks on the page. Guilt will hold you back and stop you from digging into the deep stuff where the real stories are. Let it go.

2. Change names and details. The sooner you change Aunt Mabel the crazy quilter into Joey the crazy biscuit maker, you free yourself–and your character–to be who he/she really is. If you’re writing about a friend who picks their teeth with a toothpick when nervous, think of another odd habit that “your character” has. That’s our job, to make shit up, so be creative.

3. Change your mind. Stop thinking of the friend or family member and start thinking of the character with a life, feelings, hang-ups, shortcomings and bad habits of his or her own. When you are fully immersed in your characters, they will become more real to you than the people who sparked your idea for them in the first place.

4. Air out the story. Choose a few select folks to read a draft as soon as possible–preferably not the people you are writing about. If you can read it aloud in front of an audience, even better.You’ll know you have some rewriting to do and where.

5. Don’t remove; rewrite. Writers reflect what they see, but that doesn’t mean we have to expose the people we care about to humiliation or shame. Only you can decide if a line has been crossed. Before you delete, rewrite. That’s what revision is for–shaping raw emotions like humiliation and shame into good fiction.

6. Check your motives. Are you writing for yourself or for your audience? Are you writing to hurt someone else or to work through your own hurt? Words are powerful. Use them wisely.

Now, quit worrying and start writing!

Be your own muse: one secret to being more productive in your creative work

In my MFA program, there was one phrase that came up over and over: “Go with whatever is most taking your attention right now.” This was usually said in a serious Obi Wan Kenobe-voice to us just before we began an in-class writing assignment or when being coached through an impromptu verbal narrative in front of the class.

At first, it’s strange to be told this let alone think this way. But the up side to this creative directive was that it helped me generate lots of story starts and ideas. My brain never shuts up so there is ALWAYS something taking my attention.

The challenge became, how do I tune out the other distractions and focus on the one, most pressing scene or moment that was most strongly taking my attention right NOW? This directive helped me train my brain to focus with laser precision on the moment or scene that I needed to tell right now.

While having many story starts and ideas is great, the down side was that I rarely finished any of my story starts because something else is ALWAYS taking my attention. How to finish a piece of writing…that’s the bane of my existence when it comes to my own personal creative work and another blog post for another day.

As a writer and someone who always has multiple projects going on at once both at home and at work, I’ve found that going with what takes my attention helps me instinctively, intuitively juggle my priorities better. It’s an exercise in active listening. I ask myself (either in my journal or literally), what is taking my attention right now? And then I listen to what my mind says, what it pushes forth. It requires patience. It requires quiet. It requires honesty.

The payoff is that the priority or project I need to focus on first or that I am most enthusiastic about at that moment bubbles up, drowning out everything else. I am much more productive this way. As a professional writer, my ability to juggle many different projects hinges upon my ability to quickly and easily switch back and forth between clients, dipping in and out of different brands, voices and subject matters. I work faster when I focus on the project that I am most excited about at the moment–the one most strongly taking my attention.

This helps me get down to business quickly and manage my time so much more efficiently. But this doesn’t just pertain to writing. It pertains to life.

Don’t wait for the muse to find you. Try it now.
Ask yourself, what is taking my attention right now? Then listen to what your intuition says. At first, this may be uncomfortable. Your brain might get snarky and say stuff like, “Piles of laundry! Bills! The bathtub grout is moldy!” Let the snark come out, then push it aside. Listen again.

In the beginning, this may feel like listening for a pin to drop in a crowded football stadium. Wait for it. Eventually you will push everything else aside and focus your mind’s eye on one thing, the important thing, that you need to get to right now. You will hear the pin drop. You will see it. Write it. Paint it. Design it. You will work despite the laundry, the bills, the grout.

Be your own muse. Go with what’s taking your attention right now.

Grateful: Living each day as a thank you

I’ve been reading a new book that I wanted to tell you about. It’s called “Living life as a thank you: The transformative power of daily gratitude.” It’s about embracing gratitude in life wherever you can get it. With the economy still seemingly in free fall and bad news all around, I can’t help but feel a little overwhelmed by it all. So when I saw this little book on the store shelf, it struck me as something I needed to read. Now.

It’s a quick read, and it inspired me to try to think of 10 things I’m grateful for every night. I’ve added this as a new question for my kids at the dinner table, too, to share one thing they are grateful for. Why wait for Thanksgiving, right?

Honestly, it’s harder than I thought it would be. I’ve been focusing so much on the negative things going on that I’ve overlooked so much of the good things right in front of my face. My biggest takeaway is that it’s easier to be whiny than grateful, and I have a lot to be grateful for, which I seem to take for granted when I don’t make an effort to consciously think about it.

After trying this for two weeks, I can honestly say that I feel happier than I have in awhile, even after I read yet another dire news report on the state of the economy or world affairs. So here are 10 things that I’m grateful for today:

  • My relative’s cancer is in remission.
  • My children are relatively healthy, happy kids.
  • Being married to my best friend.
  • A roof over my head and food on the table.
  • Knowing that I am loved and accepted for who I am by the people who matter.
  • My friendships.
  • My dogs.
  • Laughter.
  • Books. I am so very grateful for books.
  • My recent ladies-only trip to Vegas. Wish I could say more on that one, but, you know, what happens in Vegas…

How about you? What are you grateful for? Is it hard to remember to be grateful?

the anniversary poem

you are not the man i married
the skinny boy with a man’s mustache
a monster truck and sleepy blue eyes

sixteen years, two kids, the spaces in between
it’s changed you, changed me
changed us
we have grown up together, you and i

now we argue less and laugh more
we sit, talking
we sit, quiet
and when your eyes catch mine
I feel like I did the first time
electric alive whole

we watch our kids grow into their lives
how exciting, how sad
but the more time passes, the more we come together
the way we used to be

back when we tanned naked in the cornfield
in the back of your truck
staying out ’till dawn
sleeping ’till noon
i could lie beside you forever

we’ve seen others fall apart
lost money, lost loved ones
almost lost us too

no, you are not the man i married
you are my rock, my sky, my moon, my sun
you are my north star

you treat me like a lady (even when i forget to act like one)
you make me laugh
you make me cupcakes
you make life fun

i love sharing mine with you

When you hate writing (but you have to do it anyway)

I hate monkeys. No offense to monkeys or monkey enthusiasts. They seem so smart yet unpredictable and mean. Once a monkey tried to pee on my kids and I through the zoo cage. When I have a bad dream, monkeys are always there, lurking, biting or chasing me.

I am telling you this now because whenever someone says to me, “You’re a writer? *shudder* I hate writing!” It’s hard to fathom anyone hating something I love so much. Then I think  of monkeys and I understand. People fear writing almost as much as they fear doing their own electric work on their homes. You could die by touching the wrong color wire. No one is going to die by writing the wrong word, but you’re just as vulnerable. Will it hurt? Will people laugh (when you’re not trying to be funny)? Does it say what you want it to say? Will you sound like an idiot? Are you an idiot?

Here are five ways to less your writing anxiety and hopefully hate writing a little less:

#1 First drafts are like first loves. Remember your first romance, when you’re intoxicated by the possibilities? First drafts can be like that–you’re excited about the idea, you see the potential, it seems absolutely perfect–until you pick up your pen and start to write. Don’t let that stop you! Let the words pour out. Turn off your censor. Let it rip. See where it takes you. You and I both know that somewhere down the line, your head will need to step in and help your heart sort it all out. But not here, not in the first draft. OK?

#2 Revision is like plucking weeds. I used to think that anything I wrote was perfect the first time I wrote it, exactly as I wrote it. But seven years of MFA training taught me that the first draft is simply planting the seed. Revision is growing that first draft by watering it with a strong editor’s eye, plucking out the dead spots, spraying for bugs that eat at the heart of the story and fertilizing what’s left until it’s the envy of all your neighbors/readers/other writers.

#3 Writing is yoga for your brain. It lets your mind breathe. It makes your brain more flexible. It keeps your linguistic muscles limber. A little writing a few days a week in or outside the office can help you feel more comfortable in your skin, especially when you have to write. If you only write once a quarter, of course you’ll feel rusty, hesitant and uncertain. The sound of your own voice on the page will be like hearing your voice on a recording–weird, unnatural and not at all what you thought it sounded like. It would be like jumping into an advanced yoga class when you’ve been a coach potato your whole life. So practice once in a while, even if it’s just a Facebook status update (it counts).

#4 Feedback is like foreplay. Too much, too soon and your mojo is out the window. Not enough and you’re left unfulfilled and pissed off. Good feedback starts small–you share your work when you’re ready with a small, trusted group. If they don’t laugh at the right spots–or the wrong ones–or if they fall asleep in the middle, then see #2. Revise. Try again. When it works, your audience will laugh, cry, nod their heads voraciously or gasp in surprise, you’ll get off on getting the reactions you wanted. Soon you’ll come to love how the right feedback pushes your work forward, inspires new ideas and honey, you’ll want more more more.

#5 There are worse things than writing. Speaking of getting the reactions you wanted, my friend Kim recently told me about a zoo that had an “issue” with monkeys throwing their poo at visitors. No sh*t! The over-reactions of patrons made the monkeys throw more poo. Eventually the zoo hired actors to stand in front of the monkey cages and not react when they got smacked by monkey poo. Soon the monkeys got bored and stopped flinging their poo. What’s a little writing compared to a sh*tty job like that?

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How are your words disabling you?

The other day I was feeling blue and typed these words into Google: “feel like you’ve lost your way.” Curiously, one of the first search results was  the Happiness Project; the author wrote a book and blog about a year she spent testing all the advice, theories and conventional wisdom about how to be happy.

I skimmed the article–it was a little too happy for me–and scrolled down to the comments to see how people reacted. One commenter posted a link to Aimee Mullins’ speech, ”The opportunity of adversity“ on TED. (If you aren’t familiar with TED, you might find this article from FastCompany interesting.)

Curious, I clicked. Ms. Mullins, who had to have both legs amputated below the knees when she was an infant, discusses the dictionary definition of  “disabled.” The writer in me immediately recoiled–starting with a dictionary definition is a standard way to begin a term paper, but writers are encouraged to think more creatively.

But when the screen goes black and the defining words for “disabled” pop up one at a time in white type, it’s quickly forgotten. She reads each word aloud–every sad, miserable word. I feel the weight of each word bearing down on me even though I am not physically “disabled.”

Mullins says that when she repeated this definition to a friend, her voice cracked in the middle and she had to stop. Despite all of her tremendous accomplishments–model, actress, paralympic athlete, truly inspiring human being–the negative definition of “disabled” broke her.

This is the power of words.

This is why I take my job as a writer seriously. Words can change the way people think. Words can persuade, inform, enlighten, but they can also hurt, destroy, maim, define…disable. They are more powerful than weapons. That old saying, “Sticks and stones may break my bones, but words will never hurt me” is wrong. Words can and do hurt.

But wait, there’s more. Mullins redefines “disabled” as a crushed spirit. She literally rewrites the definition of “disabled.” When I hear this, I begin to cry. And I am not a crier. When I repeat this story to Hubby, I tear up again. He looks at me strangely–are you…crying???

This is the power of words.

Words can crush your spirit. And there is nothing more sorrowful in my mind. OK, sure, death sucks. But as a friend of mine once said in her sage way, “We all have to die someday. Can’t hang around forever.” With death, life is over. But how long can you live with a crushed spirit? How long would you want to? What kind of life is that? I imagine it’s like living with Alzheimer’s. You are a shadow of the person you used to be or could be. You are never whole again. You are never the same. You are damaged. Hurt. Disabled.

Mullins also posits that adversity gives us a sense of ourselves, that it’s a part of life rather than something that we need to just get through, emerging unscathed on the other side. She suggests that adversity is “change you haven’t gotten used to yet.”  Hence, “the opportunity of adversity.”

This is the power of words. A shift in thinking. A different way of looking at the world, at change. I don’t know what I’m going to do with this yet. But it has made me rethink how I “disable” myself and those around me, often unintentionally. I resolved to work on three things:

Use less “disabling” words. I’ve tried to remember to say thank-you more and share positive feedback. It’s easy and tempting to harp on what’s wrong rather than focus on what’s right. For example, I sent Hubby an email that just said “have a nice day” instead of the usual to-do list. I told a friend who always shows grace under pressure how much I admired her strength and courage. I am trying to remember to say something nice to myself, too, but that one is harder. :)

Examine unintentional “disabling” actions. School starts this week and I remembered how crushed my son was last year when one of his B grades slipped back to a C in a class he had worked very hard to improve. Hubby and I always told both kids that letter grades don’t matter; it’s the effort and learning that count. But our reward system–$5 for A’s, $3 for B’s, nothing for C’s–was negating our words.

I told my kids that effective immediately, we would reward them for effort, not specific letter grades. My daughter shrugged, but my son visibly relaxed;  a weight had been lifted from his shoulders. I am on the lookout for other ways I may be disabling someone, unintentional as it may be.

Stop disabling myself. I am my own worst enemy. I take on too much work. I multi-task to the nth degree. I burn myself out. So this week I cut myself some slack. I asked for help at work. I came home one night exhausted and burnt out and put myself to bed instead of forcing myself to continue working on a project that I was stuck on.

Another night, I gave myself permission to snuggle with my kids instead of going to the gym because “I should.”  On a Saturday, which I might normally spend cleaning, I stocked up on healthy food and went to the gym to reward myself instead of eating chocolate. (Huge for me, by the way. I should own stock in Hershey’s.)

I feel better today than I did when I first Googled “feel like you’ve lost your way.” Maybe I didn’t lose it so much as disable myself from seeing it. I think I’m on the right path again.

How do you unintentionally “disable” yourself or someone else? What can you do to embrace adversity and see it as opportunity or “the change you haven’t gotten used to yet?”

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